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Arthur Shilov
Arthur Shilov

Daddy's Home Image

Return to Old Man Yarlo's home and build the new furniture (chair, carpet, two tables, two stools, and the bed). Speak to Old Man Yarlo again, he'll thank you and offer the player the basics and benefits of Construction.

Daddy's Home image

About the MPAAThe Motion Picture Association of America, Inc. (MPAA) serves as the voice and advocate of the American motion picture, home video and television industries from its offices in Los Angeles and Washington, D.C. Its members include: Walt Disney Studios Motion Pictures; Paramount Pictures Corporation; Sony Pictures Entertainment Inc.; Twentieth Century Fox Film Corporation; Universal City Studios LLC; and Warner Bros. Entertainment Inc.

Actor Will Ferrell, left, dons a Pelicans uniform to pose for a photo with team general manager Dell Demps, in an image posted to the team's Instagram account in November 2015. (Photo via New Orleans Pelicans)

Dusty and Brad are upset when they learn that Dusty's daughter, Megan (Brad's stepdaughter), is tired of having two separate Christmas celebrations. So, the families decide to celebrate Christmas together at one of their homes.

He cried when our daughter was born. Twice. I clearly remember his choked voice when he kissed me and thanked me for bringing our baby girl into the world. But by the time we got home, the diaper was on the rose. The baby was crying. His wife (me) was constipated. And the house took on a perfume of spoiled milk. Pre-baby and post-baby, people talked about engorged nipples. Moms and dads rant about sleepless nights and diaper explosions. There are books written about baby weight, burping, and tummy time. But no one talks about the fighting. And we fought....

Children aged five to eight will also be frightened by scary visual images and will also be disturbed by depictions of the death of a parent, a child abandoned or separated from parents, children or animals being hurt or threatened and / or natural disasters.

Starting with St. Vincent's self-titled 2014 album, Annie Clark's artistic progression could be best described as a sharpening: Her sounds grew crisper and more angular, her lyrics ever more pointed. This approach peaked on MASSEDUCTION, which reflected a white-knuckle grip on image and identity in its high-definition pop. Control, or lack of it, is also a vital element on Daddy's Home. Using her father's return from jail for white-collar crime as a jumping-off point, Clark explores moral grey areas on songs that are as diffuse as her past few albums were taut. Her musical world-building remains as impressive as ever: Drawing on early-'70s sounds introduced to her by her father, she pays homage to a more permissive time as she traces the best and worst things carried through the generations. Clark's version of the '70s is filled with so many allusions it should have footnotes; alongside the bubbling Wurlitzers and Mellotrons, she name-drops John Cassavetes and Candy Darling. While the swaggering single "Pay Your Way in Pain" pays homage to David Bowie's "Fame" and "Live in the Dream" is a swirling tribute to Pink Floyd, not all the references are cooler than cool. On "My Baby Wants a Baby," which finds the song's protagonist admitting they want creative accomplishment more than a child, Clark borrows the melody from Sheena Easton's "9 to 5 (Morning Train)" (another song about the obligations of relationships) and a spangly sitar-mimicking guitar last heard on a B.J. Thomas single.

It's still too soon after the San Francisco Giants' crushing World Series loss to take comfort in much of anything. But someday soon I'll be able to enjoy the fact that the Series' indelible image of heroism belongs not to the victorious Anaheim Angels but to a player on the losing team: J.T. Snow, the brave Giant in the bright white uniform who swept 3-year-old batboy Darren Baker out of harm's way at home plate in Game 5.

But whatever baseball officials do next year, they can't take away those great images from this year: Darren Baker safe in Snow's arms, Shawon Dunston and Barry Bonds kissing their sons on the lips after home runs in Game 6, a crying Darren in his father's arms after the devastating Game 7 loss, the two Shawons in a nose-to-nose huddle of grief as the Angels danced on the field. The power of those images has less to tell us about baseball than about fatherhood in 2002, and about manhood, and the news is all good.

Certainly Barry Bonds wasn't kissing his dad Bobby Bonds, a Giants and New York Yankees slugger, after the elder Bonds hit his home runs in the 1960s and '70s. By all accounts Barry was pretty much raised by his mother, Pat, with Bobby, in the role of absentee dad, on the road more than half of every year and distracted even when he was around. Yet somehow Barry -- the media's designated asshole, supposedly focused on nothing but his own game -- grew up to be the sort of father who'll pal around with his son in the clubhouse and celebrate his prodigious home runs by grabbing the little guy's head and kissing him on national television. Sportswriters may not consider him a role model for how to deal with the media, but he's setting a great example as a dad. He shows his 12-year-old son Nikolai genuine tenderness, even though the boy has reached an age when many dads withdraw what little physical affection they gave their sons when they were smaller, as if to teach the lesson that detachment is crucial to masculinity and affection is for sissies.

Barry isn't alone: All these Giant fathers hug and kiss and hold their boys. Benito Santiago's son is almost as tall as he is, but he gets a kiss and a hug when he greets his dad at home plate after a home run, too. All these boys are there in the dugout learning how to be men -- warriors, buddies and loving dads too. J.T. Snow was matter-of-fact when asked how he had the presence of mind to scoop up Darren Baker while he was scoring Thursday night. "I have a four-and-a-half-year-old," he said simply, implying that multitasking comes with the territory -- and it's not just for moms anymore. 041b061a72


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